Hyper Spectral Display – presented by Eleanor Ivory Weber

55 Sydenham Rd




55 Sydenham Rd




55 Sydenham Rd


left - Joe Hamilton / right - Adam Cruces

55 Sydenham Rd

Untitled Triptych (Panel 1,2,3), 2012-13
all Google found images on Dibond with climb holds
Joe Hamilton

55 Sydenham Rd

Untitled Triptych (Panel 1,2,3) 2012-13
all Google found images on Dibond with climb holds
Joe Hamilton

55 Sydenham Rd

Still Life with Bags, 2013
glazed ceramic, Opel Adam digital prints on drawstring bags
Adam Cruces

55 Sydenham Rd

Still Life with Bags, 2013
glazed ceramic, Opel Adam digital prints on drawstring bags
Adam Cruces

55 Sydenham Rd

(...so are the days of our lives), 2013
silica, epoxy resin, polyester resin, Arlec portable fluorescent work light, Osram LEDstixx™, gel sheet Fern Green, BATHtime pumice
Megan Hanson

55 Sydenham Rd

(...so are the days of our lives), 2013
silica, epoxy resin, polyester resin, Arlec portable fluorescent work light, Osram LEDstixx™, gel sheet Fern Green, BATHtime pumice
Megan Hanson

55 Sydenham Rd

left - Megan Hanson / right - Oliver van der Lugt


55 Sydenham Rd

Untitled (Achieving New Balance), 2013
cases of Balance 'mind' water, partially consumed Balance water bottles, New Balance M1150GB1 running shoes in sizes 8, 10.5 and 13, water, plastic tubs, acrylic
Oliver van der Lugt

55 Sydenham Rd

I interned for J.Crew, 2013
Two boys wearing white plastic dresses walking in opposite directions through a gallery. The boys have long hair and are somewhat neutral in modelling style, although they have their own personal flair. They are working for free. This is seen as a staged catwalk (but maybe is a symbol for daily life).
Matthew Linde

55 Sydenham Rd

I interned for J.Crew, 2013
Two boys wearing white plastic dresses walking in opposite directions through a gallery. The boys have long hair and are somewhat neutral in modelling style, although they have their own personal flair. They are working for free. This is seen as a staged catwalk (but maybe is a symbol for daily life).
Matthew Linde

55 Sydenham Rd

Epic Bitter Swirls, 2013
swirl wall decal (eBay)
Amalia Ulman

55 Sydenham Rd

IES N°1 – 2004, 2013
four Roxy car decals (eBay) [55 office windows]
Amalia Ulman

55 Sydenham Rd

install shot
mixed media
Jack L. Dunbar

55 Sydenham Rd

Optimised Real-Life Sharing, 2013
4:08min HD video from iPhone (looped)
Jack L. Dunbar

55 Sydenham Rd

Magical Aftermath of Optimised Real-Life Sharing, 2013
conglomerate bitumen chunk, epoxy resin, glitter, rollie butts, emergency blanket
Jack L. Dunbar

55 Sydenham Rd

Nightlight for Crying Yourself to Sleep, 2013
epoxy resin, lighter
Jack L. Dunbar

55 Sydenham Rd

Done, 2013
leather and metal
Clara Chon

55 Sydenham Rd

Done, 2013
leather and metal
Clara Chon

55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd55 Sydenham Rd

.HSD artists exist as agents of their own production, they are the altar boys and girls of the perpetual present in a so-called secular society.
.HSD is a way of finding meaning.
the Icons of the 21st century are the brands that define us and the marketing that binds us.
bound but unflinching, we subsume and are subsumed, that’s the point. endless movement to and fro; no right, wrong way.
seeking guidance as externally-assigned difference dies a slow death, like the euphemistic democracy of police state and internet alike.
the bible is screen-like but is neither virtual nor material, we experience it everywhere, to the extent that we forget it is present.
we invest souls and bodies into the Iconography of the palliative-capitalist dreamscape of cyberspiritual 130 BPM rhythm and spatio-temporal fluidity.
psycho-tropicalia; medico-synth; depressiv-Speed.
non-concrete, our beliefs are ancient.
they take new form in the products of Earth’s messengers, no longer a separation high/low. why care when all is spectral. spectacle.
label : me
boredom-generated, exceptional productivity becomes extinct. productivity is status quo ∴ identity is constant agitated senses.
salvation is working together to invest meaning into the daily ritual.
HOW TO LIVE, VIRTUALLY, MATERIALLY ?
Religion should teach us that there is always more in common than there is different.
.HSD is one dream made manifest for a moment, we are all in it together. HOT MESS.*
eternal sunset, low frequency hard-core, marry me tonight.
you’re not alone.

love, Eleanor

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.hsdpdf featuring contributions from the artists, and new texts from:
Giselle Stanborough / Holly Childs / Kailana Sommer / Rozsa Farkas & design by Nadia Hernandez
http://www.55sydenhamrd.com/wp-content/uploads/2014/01/55_hsd.pdf

.HSD mixes by Air Max ’97 and Civilisation: soundcloud.com/hyperspectraldisplay

hyperspectraldisplay.tumblr.com

 
curated by Eleanor Ivory Weber

HYPER SPECTRAL DISPLAY (.HSD)
Adam Cruces / Amalia Ulman / Clara Chon / Jack L. Dunbar / Joe Hamilton / Matthew Linde / Megan Hanson / Oliver Van Der Lugt
28/6 – 14/7/13

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